{"id":6833,"date":"2019-09-03T13:35:55","date_gmt":"2019-09-03T20:35:55","guid":{"rendered":"http:\/\/www.afm47.org\/press\/?p=6833"},"modified":"2019-09-13T13:39:47","modified_gmt":"2019-09-13T20:39:47","slug":"final-note-gary-lemel","status":"publish","type":"post","link":"https:\/\/afm47.org\/press\/final-note-gary-lemel\/","title":{"rendered":"Final Note: Gary LeMel"},"content":{"rendered":"<p><em><strong>Life Member. Bass<\/strong><\/em><br \/>\n<em><strong>9\/16\/1938 \u2013 7\/6\/2019<\/strong><\/em><\/p>\n<h2>Gary LeMel, Former Warner Bros. Music Head &amp; \u2018The Bodyguard\u2019 Soundtrack Mastermind, Dies at Age 80<\/h2>\n<p><em>by Billboard<\/em><\/p>\n<p>Gary LeMel, the longtime film music executive who was once dubbed the \u201cGodfather of the Modern Soundtrack\u201d for his supervision of blockbuster albums including<em> The Big Chill, Ghostbusters <\/em>and <em>The Bodyguard<\/em>, died on July 6, 2019 at age 80. He is survived by his wife Maddy and three children.<!--more--><\/p>\n<p>LeMel kicked off his executive career in music publishing and later artist management, including a three-year stint at Jerry Weintraub\u2019s Management III. But the job that would set the course of the rest of his career was his role at First Artists \u2014 the short-lived film production company formed as a partnership between Barbra Streisand, Sidney Poitier, Dustin Hoffman, Paul Newman and Steve McQueen \u2014 where he supervised the soundtrack for Streisand\u2019s 1976 remake of <em>A Star Is Born<\/em>. Selling more than 4 million copies on the strength of Streisand\u2019s Billboard Hot 100 No. 1 single \u201cEvergreen,\u201d the soundtrack launched LeMel\u2019s career in film music, where he would make an indelible mark over the next four decades.<\/p>\n<p>Born in London, at the age of 10, LeMel moved with his family to Tucson, Arizona, where he became a member of the Tucson Boys Choir while also studying classical piano and, later, bass guitar. He eventually enrolled at the University of Arizona but dropped out to tour with jazz singer Anita O\u2019Day, who had previously hired him as her bassist at a local jazz club.<\/p>\n<p>By the early 1960s, LeMel had moved to Los Angeles to pursue a career as a performer, eventually signing with Vee Jay Records, which released his debut album in the summer of 1964. But the emergence of The Beatles that same year (helped along by Vee Jay\u2019s release of their early album Introducing the Beatles) rendered acts like LeMel, who largely focused on reinterpreting standards, all but irrelevant virtually overnight.<\/p>\n<p>\u201cTheir record killed my album,\u201d LeMel told the Los Angeles Times in 1995. \u201cI was working Playboy Clubs, sometimes doing five shows a night and barely making 300 bucks a week.\u201d<\/p>\n<p>LeMel would find much greater success as an executive at Columbia Pictures beginning in the early 1980s, when he oversaw soundtracks for <em>The Big Chill, Ghostbusters<\/em> and<em> St. Elmo\u2019s Fire<\/em>, among countless others. On the power of a soundtrack to boost a film\u2019s box office, LeMel told Billboard in 1985: \u201c[St. Elmo\u2019s Fire] was dying at $25 million. When [its theme song \u2018Man in Motion\u2019] went to No. 1, the film picked up 48% and is now close to $40 million.\u201d<\/p>\n<p>The following year, LeMel moved to Warner Bros., where he would eventually enjoy his greatest success with the blockbuster soundtrack to 1992\u2019s Whitney Houston-Kevin Costner vehicle <em>The Bodyguard<\/em>. Launched into the stratosphere by Houston\u2019s monster No. 1 hit \u201cI Will Always Love You,\u201d the set eventually sold 45 million copies worldwide, making it the best-selling soundtrack in history.<\/p>\n<p><em><a href=\"https:\/\/www.billboard.com\/articles\/news\/obituary\/8519731\/gary-lemel-dead-warner-bros-music-bodyguard-soundtrack\" target=\"_blank\" rel=\"noopener noreferrer\">&gt;&gt; continue reading @ Billboard.com<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Life Member. Bass 9\/16\/1938 \u2013 7\/6\/2019 Gary LeMel, Former Warner Bros. Music Head &amp; \u2018The Bodyguard\u2019 Soundtrack Mastermind, Dies at Age 80 by Billboard Gary LeMel, the longtime film music executive who was once dubbed the \u201cGodfather of the Modern Soundtrack\u201d for his supervision of blockbuster albums including The Big Chill, Ghostbusters and The Bodyguard, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6835,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[5,409],"tags":[435,1435],"class_list":["post-6833","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-final-notes","tag-final-note","tag-gary-lemel"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Final Note: Gary LeMel - 47 Blog | AFM Local 47<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/afm47.org\/press\/final-note-gary-lemel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Final Note: Gary LeMel - 47 Blog | AFM Local 47\" \/>\n<meta property=\"og:description\" content=\"Life Member. 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