{"id":3517,"date":"2017-02-22T00:25:51","date_gmt":"2017-02-22T00:25:51","guid":{"rendered":"http:\/\/www.afm47.org\/press\/?p=3517"},"modified":"2017-03-17T19:22:07","modified_gmt":"2017-03-17T19:22:07","slug":"free-seminar-how-do-music-creators-get-paid","status":"publish","type":"post","link":"https:\/\/afm47.org\/press\/free-seminar-how-do-music-creators-get-paid\/","title":{"rendered":"FREE Seminar: How Do Music Creators Get Paid?"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3445 size-full\" src=\"https:\/\/afm47.org\/press\/wp-content\/uploads\/2017\/02\/AMP-2017_02_28-1.jpg\" width=\"1224\" height=\"1584\" srcset=\"https:\/\/afm47.org\/press\/wp-content\/uploads\/2017\/02\/AMP-2017_02_28-1.jpg 1224w, https:\/\/afm47.org\/press\/wp-content\/uploads\/2017\/02\/AMP-2017_02_28-1-232x300.jpg 232w, https:\/\/afm47.org\/press\/wp-content\/uploads\/2017\/02\/AMP-2017_02_28-1-768x994.jpg 768w, https:\/\/afm47.org\/press\/wp-content\/uploads\/2017\/02\/AMP-2017_02_28-1-791x1024.jpg 791w, https:\/\/afm47.org\/press\/wp-content\/uploads\/2017\/02\/AMP-2017_02_28-1-624x808.jpg 624w\" sizes=\"auto, (max-width: 1224px) 100vw, 1224px\" \/><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/afm47.org\/temp\/flyers\/AMP%202017_02_28.pdf\">Download pdf flyer<\/a>\u00a0 \u00a0 \u00a0 <a href=\"mailto:RSVP@afm47.org\">RSVP@afm47.org<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.facebook.com\/events\/1133257496771912\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3420 size-full\" src=\"https:\/\/afm47.org\/press\/wp-content\/uploads\/2017\/02\/fb_event.png\" alt=\"\" width=\"173\" height=\"53\" \/><\/a><\/p>\n<h3 style=\"text-align: left;\">\u00a0ABOUT THE\u00a0PANELISTS<\/h3>\n<p><!--more--><\/p>\n<p><strong>John Acosta<\/strong>\u00a0currently serves as President of the American Federation of Musicians Local 47, representing over 7,000 professional musicians in the southern California area. John\u00a0also serves as an International Executive Board member of the AFM, Vice President on the Los Angeles County Federation of Labor Executive Board, Vice President on the Music Fund of Los Angeles Board of Directors, Director on the Actors Fund Western Council and Director on the Verdugo-Workforce Investment Board. John hails from the Bronx, New York. His father Juan Acosta was a percussionist from Cuba who worked as a touring musician with Latin jazz greats such as Tito Puente &amp; Celia Cruz. In California, John began his recording career working as a composer, guitarist, producer and engineer for artists on \u00a0Warner Brothers, DreamWorks, Geffen, BMG, Elektra and Capitol Records. John&#8217;s work as a musician lead to his work with Local 47, advocating for musicians rights.<\/p>\n<p><strong>Kharin Gilbert<\/strong> is co-owner of LA-based Big Planet Music which services the television market with original music and a boutique catalog of 3,500 tracks which she manages and administers. Kharin also clears popular music for a growing list of national advertisers and provides publishing administration for their original music acquisitions. As digital music consumption explodes so does the complexity of many licensing requests which may include limited downloads, \u201cfan influencer\u201d social media posts, behind-the- scenes footage, and participation in playlists for an advertiser&#8217;s use to enhance promotions. Part and parcel with song clearances, Kharin\u2019s role includes negotiating and contracting with artists whose vocal and musical performances are part of the recording.<\/p>\n<p><strong>Gordon Grayson<\/strong>\u00a0has served as Electronic Media Division Administrator at AFM Local 47 since 2010, where\u00a0he interprets, enforces and negotiates national collective bargaining agreements for musicians engaged in all recording mediums including sound recording, motion picture, live television, and commercials.\u00a0Prior to working with the AFM, Gordon spent 12 years with the Writers Guild of America, initially as a registration administrator providing protection of intellectual property for writers and songwriters. He later moved to the legal department and worked as a business rep for eight years, enforcing terms and contracts as well as negotiating settlements, sometimes handling as many as 40 claims at a time. He also worked as a production assistant and then production coordinator on\u00a0a popular TV sitcom.<\/p>\n<p>An attorney by training, <strong>Don Jasko<\/strong> served in various management positions at the American Society of Composers, Authors and Publishers (ASCAP), in which he was instrumental in transforming the process by which performance rights are licensed for broadcast television. Don was also instrumental in the development of the infrastructure that supports the direct and source licensing of performance rights in musical compositions. After resigning from ASCAP to found Digital Economics, Don was a major catalyst in the merger that created Verance Corporation, a leading watermark technology. Digital Economics provide publishing administration and product development services to its clients. Don is also a strategist and expert witness in litigation.<\/p>\n<p>An internationally acclaimed composer and pianist for commercials, TV shows and films who has won numerous awards including a Clio Award for the arrangement of Gershwin&#8217;s Rhapsody in Blue created for United Airlines, <strong>Elizabeth (Liz) Myers<\/strong> has become an outspoken advocate for quality music in performance and composition. Together with her husband John Trivers, she formed Trivers Myers Music, a boutique music partnership founded in 1984 which has composed and produced award-winning music for hundreds of top tier clients from Apple Computer to Verizon. Myers is a co-composer of the theme for the CBS Evening News, which has run nightly for over 20 years with Scott Pelley as the anchor.\u00a0She was one of the first female music conductors on Broadway, becoming the Musical Director for the show Grease at the Royale Theater in New York. Myers also teaches a popular class at UCLA Extension in the Entertainment Studies Department entitled: \u201cPut Your Music to Work: Composition for Commercials.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Download pdf flyer\u00a0 \u00a0 \u00a0 RSVP@afm47.org \u00a0ABOUT THE\u00a0PANELISTS<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[5,6],"tags":[911,910,916,913,918,640,920,919,921,912],"class_list":["post-3517","post","type-post","status-publish","format-standard","hentry","category-news","category-events","tag-american-federation-of-musicians-local-47","tag-association-of-music-producers","tag-commercial-music","tag-music-creators","tag-music-libraries","tag-musicians","tag-pro-royalties","tag-publishing","tag-royalties","tag-streaming-revenue"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>FREE Seminar: How Do Music Creators Get Paid? - 47 Blog | AFM Local 47<\/title>\n<meta name=\"robots\" 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