{"id":2158,"date":"2016-02-23T23:11:22","date_gmt":"2016-02-23T23:11:22","guid":{"rendered":"http:\/\/www.afm47.org\/press\/?p=2158"},"modified":"2016-02-23T23:42:03","modified_gmt":"2016-02-23T23:42:03","slug":"orchestration-classes-i-ii-with-dr-norman-ludwin","status":"publish","type":"post","link":"https:\/\/afm47.org\/press\/orchestration-classes-i-ii-with-dr-norman-ludwin\/","title":{"rendered":"Free Orchestration Classes Return to Local 47"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-1208\" src=\"https:\/\/afm47.org\/press\/wp-content\/uploads\/2015\/03\/Norman-2015-250x300.jpg\" alt=\"Norman 2015\" width=\"250\" height=\"300\" srcset=\"https:\/\/afm47.org\/press\/wp-content\/uploads\/2015\/03\/Norman-2015-250x300.jpg 250w, https:\/\/afm47.org\/press\/wp-content\/uploads\/2015\/03\/Norman-2015-855x1024.jpg 855w, https:\/\/afm47.org\/press\/wp-content\/uploads\/2015\/03\/Norman-2015-624x747.jpg 624w, https:\/\/afm47.org\/press\/wp-content\/uploads\/2015\/03\/Norman-2015.jpg 1710w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/p>\n<p><strong>Saturday Mornings 10am &#8211; 1pm<br \/>\n@ <\/strong><strong>Local 47 Serena Kay &amp; Earl Williams Auditorium<\/strong><\/p>\n<p><em>Courses offered paired or individually FREE to Local 47 members in good standing<\/em><\/p>\n<p><em>Taught by Dr. Norman Ludwin,\u00a0an active session bass player for film and TV, composer, and orchestrator who has recently worked on \u201cJurassic World,\u201d \u201cInside Out,\u201d \u201cTomorrowland,\u201d and \u201cZootopia&#8221;<\/p>\n<p><\/em><br \/>\nPart of Local 47&#8217;s continuing series of free classes for members, in his paired Orchestration I and II course Dr. Norman Ludwin offers members a unique hands-on learning experience, taught by an industry professional.\u00a0For both classes students will have\u00a0access to online resources with an interactive website that includes essential class materials, scores and listening samples.\u00a0Even if you have limited or no experience in orchestration, all members\u00a0are\u00a0strongly encouraged to attend\u00a0these free\u00a0classes to learn this important craft that can boost your career. Space is limited; RSVP required:\u00a0<a href=\"mailto:rsvp@promusic47.org\" target=\"_blank\">rsvp@promusic47.org<\/a><\/p>\n<p><!--more--><\/p>\n<p><strong>Orchestration I<\/strong><br \/>\n<strong>June 18 &#8211; Aug. 6, 2016<\/strong><\/p>\n<p>Orchestration I covers the basics: ranges, strength and weaknesses of the instruments, transpositions and how to orchestrate clearly and effectively. Participants are introduced to orchestral instruments and their usage, with a focus on film music. Two areas are covered: instrumentation dealing with the construction, sound production, range, notation, and playing techniques of each\u00a0instrument and orchestration which is the actual process of scoring music for orchestra. Groups of instruments examined include brass, strings, woodwinds, keyboards, harp, and percussion. Class sessions involve lectures, score study, instrumental demonstrations, and performance and discussion of student assignments.<\/p>\n<p><strong>Orchestration II<\/strong><br \/>\n<strong>Aug. 13 &#8211; Oct. 1, 2016<\/strong><\/p>\n<p>Students will continue the study of orchestration and elements of texture and form by looking at contemporary concert music, analysis of different composers\u2019\u00a0methods of orchestration, and extensive study of film\u00a0music.\u00a0Using classic scores and scores he himself has recently worked on, Ludwin will\u00a0instruct on cues and selections from Michael Giacchino, John Williams, Jerry Goldsmith, and Thomas Newman, among others.\u00a0The ending course project is a recording of the students\u2019 original compositions by the Symphony 47 orchestra.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>ABOUT DR. NORMAN LUDWIN<\/strong><\/p>\n<p><a href=\"http:\/\/www.amazon.com\/Dr.-Norman-Ludwin\/e\/B00MS65CKM\/ref=dp_byline_cont_book_1\" target=\"_blank\">Ludwin has authored seven books in orchestration<\/a>\u00a0used in courses he teaches\u00a0at the UCLA Extension Film Scoring Program and Cornell School of Contemporary Music. His books are also\u00a0used in such schools as\u00a0Berklee and the\u00a0Eastman School of Music, as well as internationally. Over the past two\u00a0years he has presented seminars all over the world including Boston, Toronto, New York, Seattle, Thailand and Vietnam.<\/p>\n<p><em>\u201cNorman has played in my orchestra since my earliest\u00a0scores, and frequently orchestrates for me as well. In his\u00a0book, he covers the basics of orchestration from the\u00a0invaluable point of view of one of Los Angeles&#8217; top session\u00a0players. <a href=\"http:\/\/www.amazon.com\/Orchestration-new-approach-vol-1\/dp\/1467562122\" target=\"_blank\">Orchestration: A New Approach<\/a>, with its clear\u00a0analysis and numerous examples from the masters, is a\u00a0fresh offering of orchestration technique that emphasizes\u00a0craft and is enjoyable to read.\u201d\u00a0<strong>&#8211; Michael Giacchino<\/strong>\u00a0(Oscar, Emmy and Grammy winning composer)<\/em><\/p>\n<p><em>\u201cMy first reaction to Norman Ludwin&#8217;s orchestration book?\u00a0Where was this wonderful aid when I started orchestrating\u00a0many years ago? It would have been my constant\u00a0companion during those early days when I was learning so\u00a0many things the hard way! My good friend, Norman, has\u00a0combined his talents as musician, composer, and\u00a0orchestrator with his gifted teaching skills to author this\u00a0must-have book for every orchestrator. It is extremely\u00a0comprehensive, very logical, and best of all, easy to use. I\u00a0heartily recommend this book as an essential building\u00a0block for a career in orchestrating. Kudos Norman!\u201d\u00a0<strong>&#8211; Tim Simonec<\/strong> (Orchestrator of over 80 films for the past\u00a035 years)<\/em><\/p>\n<p><em>\u201cNorman Ludwin\u2019s <a href=\"http:\/\/www.amazon.com\/Orchestration-new-approach-vol-1\/dp\/1467562122\" target=\"_blank\">Orchestration: A New Approach<\/a> gives\u00a0us a &#8216;learn from the masters&#8217; guide that focuses attention\u00a0on score analysis. The wealth of information it contains\u00a0makes it a wonderful course book or supplementary text\u00a0for college orchestration classes, depending on how they\u00a0are taught. Many studying orchestration independently\u00a0will find it an invaluable tutor. The package makes such\u00a0excellent use of technology that many older texts seem\u00a0quaint by comparison. Ludwin is to be applauded!\u201d\u00a0<strong>&#8211; Dr. Anthony Scelba<\/strong> (Anthony Scelba has taught\u00a0Orchestration since 1979)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Saturday Mornings 10am &#8211; 1pm @ Local 47 Serena Kay &amp; Earl Williams Auditorium Courses offered paired or individually FREE to Local 47 members in good standing Taught by Dr. Norman Ludwin,\u00a0an active session bass player for film and TV, composer, and orchestrator who has recently worked on \u201cJurassic World,\u201d \u201cInside Out,\u201d \u201cTomorrowland,\u201d and \u201cZootopia&#8221; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[5,6],"tags":[330,124,401,123],"class_list":["post-2158","post","type-post","status-publish","format-standard","hentry","category-news","category-events","tag-dr-norman-ludwin","tag-norman-ludwin","tag-orchestration","tag-orchestration-classes"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Free Orchestration Classes Return to Local 47 - 47 Blog | AFM Local 47<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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