{"version":"1.0","provider_name":"47 Blog | AFM Local 47","provider_url":"https:\/\/afm47.org\/press","author_name":"admin","author_url":"https:\/\/afm47.org\/press\/author\/admin\/","title":"Who Played It Again, Sam? The Three Pianists of \u2018Casablanca\u2019 - 47 Blog | AFM Local 47","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"e5gjsbagtk\"><a href=\"https:\/\/afm47.org\/press\/three-pianists-of-casablanca\/\">Who Played It Again, Sam? The Three Pianists of \u2018Casablanca\u2019<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/afm47.org\/press\/three-pianists-of-casablanca\/embed\/#?secret=e5gjsbagtk\" width=\"600\" height=\"338\" title=\"&#8220;Who Played It Again, Sam? The Three Pianists of \u2018Casablanca\u2019&#8221; &#8212; 47 Blog | AFM Local 47\" data-secret=\"e5gjsbagtk\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/afm47.org\/press\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"by Robert E. Wallace, Ph.D. On a day in late May of 1942, Michael Curtiz began filming Casablanca on the Warner Brothers lot.\u00a0 That day, two pianists were on set to record the flashback scene set in Montmartre1, and one of many recordings of Herman Hupfield\u2019s \u201cAs Time Goes By.\u201d\u00a0\u00a0 Later in production, three pianists [&hellip;]","thumbnail_url":"https:\/\/afm47.org\/press\/wp-content\/uploads\/2017\/09\/CasablancaPoster-Gold.jpg","thumbnail_width":515,"thumbnail_height":755}